![]() Is this meant to be an accurate document of youth, or a constructed interpretation of it? The answer is undeniably somewhere in the middle. ![]() There’s room for grey areas and blurred lines, yes, but the film’s heavy stylization complicates things. It may seem like a pedantic distinction, but going into All These Sleepless Nights thinking of it as a documentary or as a narrative will affect the way you experience it. There are love triangles and some conflict throughout, but All These Sleepless Nights is more about conveying a mood and capturing a mindset, rather than telling any sort of conventional narrative. The film’s two main subjects are Kris and Michal, two quasi-handsome, vaguely charismatic friends whose hedonistic and egotistical behaviour unsurprisingly puts some tension on their interpersonal relationships. We also watch as they use a combination of sex and drugs to lull themselves in a passive state of detachment, adding an even more meditative tone to the movie. We spend a lot of time wandering the city streets with them, witnessing their often mundane encounters. Low on story and heavy on style, All These Sleepless Nights provides a slightly voyeuristic look at a group of mostly directionless young adults living in Warsaw, Poland. But those questions also turn out to be pretty compelling. ![]() Of course, there’s much more to Michal Marczak’s film than questions of form. It’s tempting to spend this entire review pondering whether All These Sleepless Nights is really a documentary or not.
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